| ISMIR 2006 – DETAILED SCHEDULE |
|
|
|
|
|
|
|
|
| Sunday |
|
|
|
TUTORIALS |
|
| 9:00-12:00 |
Computational Rhythm Description |
|
|
F. Gouyon and S. Dixon |
|
| 9:00-12:00 |
User Interfaces in MIR |
|
|
D. Gerhard |
|
| 14:00-17:00 |
MIR for Audio Signals using Marsyas 0.2 |
|
|
G. Tzanetakis and L. G. Martins |
|
| 14:00-17:00 |
Bayesian Methods for Music Signal Analysis |
|
|
A. Taylan Cemgil |
|
|
|
|
| Monday |
|
|
|
|
|
|
METADATA / RECOMMENDATIONS |
|
| 9:00-9:15 |
Opening Remarks – G. Tzanetakis, H. Hoos |
|
| 9:15-9:35 |
Data Dictionary: Metadata for Phonograph Records |
PDF |
|
C. Lai and I. Fujinaga |
|
| 9:35-9:55 |
Overview of On-demand Metadata Extraction Network (OMEN) |
PDF |
|
D. McEnnis, C. McKay and I. Fujinaga |
|
| 9:55-10:15 |
Ask a Librarian: The Role of Librarians in the Music Information Retrieval |
PDF |
|
Community – J. Riley and C. A. Mayer |
|
| 10:15-10:30 |
Exploiting Recommended Usage Metadata: Exploratory Analyses |
PDF |
|
X. Hu, J. S. Downie and A. Ehmann |
|
|
|
|
| 10:30-11:00 |
COFFEE BREAK |
|
|
|
|
|
BEAT AND TEMPO |
|
| 11:00-11:20 |
Joint Beat & Tempo Tracking from Music Signals |
PDF |
|
J. Seppanen, A. Eronen and J. Hiipakka |
|
| 11:20-11:40 |
Bayesian Modelling of Temporal Structure in Musical Audio |
PDF |
|
N. Whiteley, A. Cemgil and S. Goodsill |
|
| 11:40-12:00 |
The Cyclic Beat Spectrum: Tempo-Related Audio Features for Time-Scale |
PDF |
|
Invariant Audio Identification – F. Kurth, T. Gehrmann, and M. Mueller |
|
|
|
|
| 12:00-14:00 |
LUNCH AND POSTER SESSION (SEE BELOW FOR LIST OF POSTERS) |
|
|
|
|
|
OMR AND MIDI PROCESSING |
|
| 14:00-14:20 |
Prospects for Improving OMR with Multiple Recognizers |
PDF |
|
D. Byrd and M. Schindele |
|
| 14:20-14:40 |
Identifying Music Documents in a Collection of Images |
PDF |
|
D. Bainbridge and T. Bell |
|
| 14:40-14:55 |
Optical Music Recognition of Early Typographic Prints using |
PDF |
|
Hidden Markov Models – L. Pugin |
|
| 14:55-15:10 |
Separating Voices in MIDI |
PDF |
|
S. T. Madsen and G. Widmer |
|
| 15:10-15:30 |
A Pattern Recognition Approach for Melody Track Selection in MIDI Files |
PDF |
|
D. Rizo et al. |
|
|
|
|
| 15:30-16:00 |
COFFEE BREAK |
|
|
|
|
| 16:00-16:20 |
Evolving Performance Models by Performance Similarity: Beyond |
PDF |
|
Note-to-Note Transformations – A. Hazan, M. Grachten and R. Ramirez |
|
| 16:20-16:40 |
Heroic Frogs Save the Bow: Performing Musician's Annotation and Interaction |
PDF |
|
Behavior with Written Music – M. Winget |
|
| 16:40-17:00 |
Evaluation of the Technical Level of Saxophone Performers by considering the evolution of Spectral Parameters of Sound |
PDF |
|
M. Robine and M. Lagrange |
|
|
|
|
| 17:00-18:00 |
KEYNOTE |
|
|
|
|
| 18:00-19:30 |
Reception |
|
|
|
|
|
|
|
| Tuesday |
|
|
|
|
|
|
CLASSIFICATION |
|
| 8:45-9:00 |
Predicting genre Labels for artists using FreeDB |
PDF |
|
J. Bergstra, A. Lacoste, and Douglas Eck |
|
| 9:00-9:20 |
A Study on Music Genre Classification Based on Universal Acoustic Models |
PDF |
|
J. Reed and Chin-Hui Lee |
|
| 9:20-9:40 |
The Significance of the Non-Harmonic “Noise” Versus the Harmonic Series |
PDF |
|
For Musical Instrument Recognition – A. Livshin and X. Rodet |
|
| 9:40-10:00 |
Musical Genre Classification: Is it worth pursuing and how can it be |
PDF |
|
Improved – C. McKay and I. Fujinaga |
|
| 10:00-10:15 |
A Computationally Efficient Speech/Music Discriminator for Radio Recordings |
PDF |
|
A. Pikrakis, T. Giannakopoulos and S. Theodoridis |
|
| 10:15-10:30 |
Probabilistic Combination of Features for Music Classification |
PDF |
|
A. Flexer, F. Gouyon, S. Dixon and Gerhard Widmer |
|
|
|
|
| 10:30-11:00 |
COFFEE BREAK |
|
|
|
|
|
CHORD AND KEY ESTIMATION |
|
| 11:00-11:20 |
Chroma-based Estimation of Musical Key from Audio-Signal Analysis |
PDF |
|
G. Peeters |
|
| 11:20-11:40 |
Key Estimation Using a Hidden Markov Model |
PDF |
|
K. Noland and M. Sandler |
|
| 11:40-12:00 |
Audio Key Finding using Low-Dimensional Spaces |
PDF |
|
O. Izmirli |
|
| 12:00-12:15 |
Automatic Chord Recognition from Audio using an HMM with |
PDF |
|
Supervised Learning – K. Lee and M. Slaney |
|
|
|
|
| 12:15-14:00 |
LUNCH AND POSTER SESSION (SEE BELOW FOR LIST OF POSTERS) |
|
|
|
|
|
DATABASES AND ALGORITHMS |
|
| 14:00-14:20 |
Fast Generation of Optimal Music Playlists using Local Search |
PDF |
|
S. Pauws, W. Verhaegh, and M. Vossen |
|
| 14:20-14:40 |
Song Intersection by Approximate Nearest Neighbor Search |
PDF |
|
M. Casey and M. Slaney |
|
| 14:40-15:00 |
A Fast, Randomized, Maximum Subset Matching Algorithm for |
PDF |
|
Document-Level Music Retrieval – R. Clifford et al. |
|
| 15:00-15:15 |
ENST-Drums: an Extensive Audio-Visual Database for Drum Signal |
PDF |
|
Processing – O. Gillet and G. Richard |
|
| 15:15-15:30 |
A Large Publicly Accessible Database of Annotated Audio for Music Research |
PDF |
|
C. McKay, D. Ennis and I. Fujinaga |
|
|
|
|
| 15:30-16:00 |
COFFEE BREAK |
|
|
|
|
|
TRANSCRIPTION AND SEPARATION |
|
| 16:00-16:15 |
Low Level Descriptors for Automatic Violin Transcription |
PDF |
|
A. Loscos, Y. Wang and J. Boo |
|
| 16:15-16:30 |
Music Information Retrieval from a Singing Voice Based on Verification of |
PDF |
|
Recognized Hypotheses – M. Suzuki T. Hosoya, A. Ito and S. Makino |
|
| 16:30-16:45 |
Automatic Feature Weighting in Automatic Transcription of Specified Part in |
PDF |
|
Polyphonic Music – K. Itoyama, T. Kitahara, K. Komatani, T. Ogata and H. G. Okuno |
|
| 16:45-17:00 |
Singing Voice Separation from Monaural Recordings |
PDF |
|
Y. Li and D. Wang |
|
|
|
|
| 17:00-18:00 |
PANEL 1 - Simon Dixon |
|
|
|
|
| Wednesday |
|
|
|
|
|
|
IDENTIFICATION, PARTITIONING AND SYNCHRONIZATION |
|
| 9:00-9:20 |
The Song Remains the Same: Identifying Versions of the Same Piece using Tonal |
PDF |
|
Descriptors – E. Gomez and P. Herrera |
|
| 9:20-9:40 |
Visually Profiling Radio Stations |
PDF |
|
T. Lidy and A. Rauber |
|
| 9:40-10:00 |
An Efficient Multiscale Approach to Audio Synchronization |
PDF |
|
M. Mueller, H. Mattes and F. Kurth |
|
| 10:00-10:15 |
Perception of Structure in Popular Music |
PDF |
|
M. Bruderer, M. F. McKinney, and A. Kohlrausch |
|
| 10:15-10:30 |
Entropy-Driven Audio Partitioning |
PDF |
|
E. Nichols and C. Raphael |
|
|
|
|
| 10:30-11:00 |
COFFEE BREAK |
|
|
|
|
|
PITCH AND TRANSCRIPTION |
|
| 11:00-11:20 |
Realtime Multiple Pitch Observation using Sparse Non-Negative Constraints |
PDF |
|
A. Cont |
|
| 11:20-11:35 |
On the Requirement of Automatic Tuning Frequency Estimation |
PDF |
|
A. Lerch |
|
| 11:35-11:55 |
Multiple Fundamental Frequency Estimation by summing Harmonic Amplitudes |
PDF |
|
A. Klapuri |
|
| 11:55-12:15 |
Transcription of the Singing Voice in Polyphonic Music |
PDF |
|
M. Ryynanen and A. Klapuri |
|
|
|
|
| 12:15-14:00 |
LUNCH AND MIREX POSTER SESSION |
|
|
|
|
|
SIMILARITY AND PLAYLISTS |
|
| 14:00-14:20 |
Independent Component Analysis for Music Similarity Computation |
PDF |
|
T. Pohle, M. Schedl, P. Knees and G. Widmer |
|
| 14:20-14:40 |
Music Summarization via Key Distributions: Analyses of Similarity Assessment |
PDF |
|
Across Variations – A. Mardirossian and E. Chew |
|
| 14:40-15:00 |
More of an Art than a Science': Supporting the Creation of Playlists and Mixes |
PDF |
|
S. J. Cunningham, D. Bainbridge, and A. Falconer |
|
| 15:00-15:15 |
Perceptual Evaluation of Music Similarity |
PDF |
|
A. Novello, M. F. McKinney and A. Kohlrausch |
|
| 15:15-15:30 |
PAPA: Pscychology and Purpose-Aware Automatic Playlist Generation |
PDF |
|
N. Oliver and L. Kreger-Stickles |
|
|
|
|
| 15:30-16:00 |
COFFEE BREAK |
|
|
|
|
|
WEB AND WORDS |
|
| 16:00-16:20 |
Modeling Music and Words using a Multiclass Naïve Bayes approach |
PDF |
|
D. Turnbull, L. Barrington, and G. Lanckriet |
|
| 16:20-16:40 |
Assigning and Visualizing Music Genres by Web-based Co-Occurance Analysis |
PDF |
|
M. Schedl, T. Pohle, P. Knees and G. Widmer |
|
| 16:40-17:00 |
Web-based Artists Categorization |
PDF |
|
G. Geleinje and J. Korst |
|
|
|
|
| 17:00-18:00 |
PANEL 2 - Adrian Freed |
|
|
|
|
20:00-23:00 |
Banquet |
|
|
|
|
| Thursday |
|
|
|
|
|
|
MELODY, FEATURE EXTRACTION AND RECOMMENDATION |
|
|
|
|
| 8:45-9:00 |
Social Cognition and Melodic Persistence: Where Metadata and Content |
PDF |
|
Diverge – E. Selfridge-Field |
|
| 9:00-9:15 |
A Probabilistic Model of Melody Perception |
PDF |
|
D. Temperley |
|
| 9:15-9:35 |
A Mid-level Melody-based Representation for Calculating Audio Similarity |
PDF |
|
M. Marolt |
|
| 9:35-9:50 |
Mel-Frequency Cepstral Coefficients: An Evaluation of Robustness of |
PDF |
|
MP3 Encoded Music – S. Sigurdsson and K. Petersen |
|
| 9:50-10:10 |
Optimal Filtering of Dynamics in short-time Features for Music Organization |
PDF |
|
J. Arenas-Garcia, J. Larsen, L. K. Hansen and A. Meng |
|
| 10:10-10:30 |
Hybrid Collaborative and Content-based Music Recommendation Using |
PDF |
|
Probabilistic Model with Latent User Preferences – K. Yoshii, M. Goto, |
|
|
K. Komatani, T. Ogata and H.G. Okuno |
|
|
|
|
| 10:30-11:00 |
COFFEE BREAK |
|
|
|
|
|
REMIXING, MOODS AND INTERFACES |
|
| 11:00-11:20 |
Music Scope Headphones: Natural User Interface for Selection of Music |
PDF |
|
M. Hamanaka and S. Lee |
|
| 11:20-11:40 |
Moody Tunes: the Rockanango Project |
PDF |
|
S. Govaerts, N. Corthaut, and E. Duval |
|
| 11:40-12:00 |
Remixing Stereo Music with Score-Informed Source Separation |
PDF |
|
J. Woodruff, B. Pardo and R. Dannenberg |
|
| 13:00-15:00 |
MIREX DISCUSSION |
|
|
|
|
|
|
|
|
MONDAY POSTER SESSION |
|
|
|
|
| Demo |
A Genre Classsification Plug-in for Data Collection - |
PDF |
|
T. Lehn-Schioler et al. |
|
| Demo |
Good Vibrations: Music Discovery through Personal Music Concepts - |
PDF |
|
V. Sandvold et al. |
|
| Demo |
The Sonic Visualizer: A Visualization Platform for Semantic Descriptors from |
PDF |
|
Musical Signals – C. Cannam et al. |
|
| Poster |
Musical Key Extraction from Audio using Profile Training – S. van de Par, |
PDF |
|
M. McKinney and A. Redert |
|
| Poster |
Muugle: A Modular Music Information Retrieval Framework – M. Bosma |
PDF |
|
R. C. Veltkamp, and F. Wiering |
|
| Poster |
An Integrated MIR Programming and Testing Environment |
PDF |
|
Jorg Garbers |
|
| Poster |
Problems and Opportunities of Applying Data and Audio Mining Techniques |
PDF |
|
to Ethnic Music – D. Moelants et al. |
|
| Poster |
BDB-MUS: e-music for the preservation of Brazilian Musical Heritage – |
PDF |
|
F. Cruz et al. |
|
| Poster |
Feature Selection Pitfalls and Music Classification - |
PDF |
|
R. Fiebrink and I. Fujinaga |
|
| Poster |
Towards a MIR System for Malaysian Music - |
PDF |
|
S. Doraisamy, H. Adnan, and N.M. Norowi |
|
| Poster |
Improving Beat-Tracking by Stream-Based Evaluation of Musical Events |
PDF |
|
F. Seifert, K. Rasch and M. Rentzsch |
|
| Poster |
A Multifaceted Approach to Music Similarity - |
PDF |
|
K. Jacobson |
|
| Poster |
Instrument Classification using HMM |
PDF |
|
M. Eichner, M. Wolff, and R. Hoffmann |
|
| Poster |
The Map of Mozart - |
PDF |
|
R. Mayer, T. Lidy and A. Rauber |
|
| Poster |
Efficient Genre Classification using Qualitative Representations |
PDF |
|
M. Dehghani, and A. Lovett |
|
| Poster |
Assessing the Performance of Melodic Similarity Algorithms Using Human |
PDF |
|
Judgments of Similarity – M. Cahill and D. O Maidin |
|
| Poster |
Tempo Tracking with a Periodicty Comb Kernel – |
PDF |
|
I. Leue, O. Izmirli |
|
| Poster |
AIST Annotation for the RWC Music Database |
PDF |
|
M. Goto |
|
|
|
|
|
TUESDAY POSTER SESSION |
|
|
|
|
| Demo |
Feature-based Synthesis: A Tool for Evaluation, Designing, and Interacting with |
PDF |
|
Music-IR Systems – M. Hoffman and P. Cook |
|
| Demo |
A Retrieval Approach for Human/Robot Music Performance |
PDF |
|
A. Kapur and E. Singer |
|
| Demo |
An Audio Crawler Focused on Weblogs |
PDF |
|
O. Celma, P. Cano, and P. Herrera |
|
| Demo |
MusicRainbow: A New User Interface to Discover Artists Using Audio-Based |
PDF |
|
Similarity and Web-based Labeling – E. Pampalk and M. Goto |
|
| Poster |
Efficient Lyrics Extraction from the Web |
PDF |
|
G. Geleijnse and J. Korst |
|
| Poster |
Factors Affecting Response Rates for Real-Life MIR Queries |
PDF |
|
J. H. Lee, M. C. Jones and J.S. Downie |
|
| Poster |
Composer Attribtution by Quantifying Compositional Strategies |
PDF |
|
P. V. Kranenburg |
|
| Poster |
Language Identification in Vocal Music |
PDF |
|
J. Schwenninger, et al. |
|
| Poster |
Extending Audacity as a Grouth-Truth Annotation Tool |
PDF |
|
B. Li, J. A. Burgoyne, and I. Fujinaga |
|
| Poster |
Everyday Life Music Information-Seeking Behaviour of Young Adults |
PDF |
|
A. Laplante, and J.S. Downie |
|
| Poster |
A Philosophical Wish List for Research in Music Information Retrieval |
PDF |
|
C. Grund |
|
| Poster |
Jaudio: Additions and Improvements |
PDF |
|
D. McEnnis, C. McKay, and I. Fujinaga |
|
| Poster |
Lilypond for pyScore: Approaching a universal translator for music notation |
PDF |
|
S. Sinclair, M. Droettboom, and I. Fujinaga |
|
| Demo |
An Implementation of a Simple Playlist Generator Based on Audio Similarity |
PDF |
|
Measures and User Feedback – E. Pampalk, and M. Gasser |
|
| Poster |
Interactive Multimedia Playroom – update and SAQs |
PDF |
|
R. Mountain |
|
| Poster |
Understanding and Quantifying the “Album Effect” in Artist Identification |
PDF |
|
Y. Kim, D. Williampson, and S. Pilli |
|
| Poster |
Ground Truth for Automatic Music Mood Classification |
PDF |
|
J. Skowronek, M. McKinney and S. van de Par |
|
| Poster |
Midi Genre Classification by Invariant Features |
PDF |
|
A. Ruppin, H. Yeshurun |
|